The Spooky World of Chris Ringler
Welcome to my strange world of Blogs, Books, Movie Reviews, Podcasts, Stories, and Art!
The latest entry in the found-footage horror franchise presents several short films themed around Halloween, but struggles with coherence and originality. While one episode excels in creepiness, others fall flat or feel silly. Overall, the collection lacks depth and connection to Halloween, leaving the reviewer disappointed and unable to recommend it.
MANOR OF DARKNESS follows a desperate brother and sister aiming to rob a posh estate to finance their ailing mother’s care. As they uncover secrets within the home, the film evolves from a typical horror narrative into something more intriguing. Despite some flaws, it offers a unique, suspenseful experience worth watching.
THE CHILDREN UNDER THE HOUSE is an analog horror film presented through VHS interviews between a therapist and a non-verbal girl who claims to see deceased children. This unique storytelling technique evokes imagination and fear, despite some emotional delivery issues. It's a chilling, low-budget film worth watching for horror enthusiasts.
Fair warning, this is not to be confused with the Hugh Grant film. HERETICS isn’t the first found footage film I have seen about cults, and it does feel like an apt way to look at them. Seeing a cult examined through the lens of a found footage film, and in this case from the… Continue reading Found Footage Movie Review – HERETICS
The faux-documentary is a tricky business. You have to present yourself as a documentary, with those trappings, but have to offer something different. You have to walk in those steps to a point, and know when to deviate. And with so many murder docs out there, it becomes even harder to find the correct tone. STRANGE HARVEST reminds me a bit of the film THE POUGHKEEPSIE TAPES. It’s similar, but don’t mistake them for being the same. They both handle horrific stories about a serial killer, and do so with aplomb, but STRANGE HARVEST is its own animal, and it has its own lethal bite.
Legacy sequels are a strange beast. They are movies dipping heavily into nostalgia for a film property, and while calling back to the things that fans loved from that original film, they also have an eye on rejuvenating a property. Legacy movies are nothing too new, but they have really become a fad in Hollywood, especially in horror, as studios try to wring every last dollar from these movies. They lean on the nostalgic love of these movies, even bringing back characters from the originals. The problem with a lot of them, is that they often feel like cash grabs more than honest attempts at renewing these movies.
Over the past few months, I have had the honor to check out three of director Rios’ films. It’s been fascinating to watch him hone his craft, tighten his storytelling, and really evolve as a filmmaker. A willingness to keep working to improve, and to become a better creator and, in this case, filmmaker, is how you GET better. We hear the adage of “putting in the work” all the time, but not all of us want to actually do that.
THE DROWNED combines horror and thriller elements but struggles with a muddled plot and familiar tropes. It starts with a man on the run and unfolds around a crime, leaving viewers questioning key aspects. Despite strong visuals and acting, it feels incomplete and lacks engagement, leading to a disappointing experience. Rating: 2 out of 5.
IN VITRO is a sci-fi thriller centered on a couple's unraveling relationship while conducting a questionable scientific experiment on a remote farm. The husband's secretive project raises ethical questions and threatens their family. The film's tension, strong performances, and atmospheric setting create a chilling narrative, though it occasionally stretches credibility.
SOMNIUM tells the story of Gemma, a young woman pursuing acting in Los Angeles while working at a mysterious sleep facility that promises to help clients achieve their dreams. The film blends science fiction and horror, featuring strong performances, particularly from Choe Levine. Though intriguing, its conclusion feels overly neat, leaving some unanswered questions.
One of the things that many of us miss when we think about how great it must be to be famous is the reality that there are prices to pay for being so public. The term “being under the microscope” is used, but that seems to dismiss the fact that it’s not a singular person… Continue reading Movie Review – BORDERLINE
If there is one pet peeve I have over all others in found footage movies it's when they suddenly switch narrative techniques. The movie will begin as found footage and then reach a point where it's suddenly a traditionally shot film. It drives me CRAZY! Now, you can make a movie in whatever style you… Continue reading Found Footage Review – THE GHOST IN THE DARKNESS
There is something about British humor that hits differently. British humor, while it can be just as juvenile as American humor, doesn’t feel the need to explain or dumb itself down. A joke may not land, but that’s fine because there’s another one. American comedies often overexplain things and feel like they are holding your… Continue reading Time Travel is Dangerous – movie review
The Spooky World of Chris Ringler 