The Spooky World of Chris Ringler
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Reviews of movies and books.
Most people live their lives as the star of their story; the hero pitted against the world. There comes a time though, when you start to realize that while you may be the hero in your story, you may well be the villain in someone else's, and in some cases, aren't even the hero you at all. To quote Flannery O'Connor, "It's no real pleasure in life".
Fair warning, this is not to be confused with the Hugh Grant film. HERETICS isn’t the first found footage film I have seen about cults, and it does feel like an apt way to look at them. Seeing a cult examined through the lens of a found footage film, and in this case from the… Continue reading Found Footage Movie Review – HERETICS
The faux-documentary is a tricky business. You have to present yourself as a documentary, with those trappings, but have to offer something different. You have to walk in those steps to a point, and know when to deviate. And with so many murder docs out there, it becomes even harder to find the correct tone. STRANGE HARVEST reminds me a bit of the film THE POUGHKEEPSIE TAPES. It’s similar, but don’t mistake them for being the same. They both handle horrific stories about a serial killer, and do so with aplomb, but STRANGE HARVEST is its own animal, and it has its own lethal bite.
Legacy sequels are a strange beast. They are movies dipping heavily into nostalgia for a film property, and while calling back to the things that fans loved from that original film, they also have an eye on rejuvenating a property. Legacy movies are nothing too new, but they have really become a fad in Hollywood, especially in horror, as studios try to wring every last dollar from these movies. They lean on the nostalgic love of these movies, even bringing back characters from the originals. The problem with a lot of them, is that they often feel like cash grabs more than honest attempts at renewing these movies.
If there’s a subgenre in horror that feels intimidating to try to enter, it’d be zombies. There are so many beloved properties that deal with the living dead that it would feel hard to set something else apart from the rest. The thing is though, if zombies have shown us anything over the years is that they are evergreen, and if you have a new idea, or way to come at them, people will pay attention.
There is something intoxicating about watching documentaries about the process of creating art, and in this case, making movies. Where it really gets good, though, is when you get a glimpse into the indie-filmmaking of emerging and inexperienced filmmakers. Think of “AMERICAN MOVIE” and how engaging the documentary was as it showed director Mark Borchardt… Continue reading Found Footage Movie Review – “FOUND FOOTAGE: The Making of the Patterson Project”
There is an interesting fine line between true-crime/thrillers and horror. At the core of true crime is horror; the idea that someone can stalk you, hunt you, kill you, and in many cases make you disappear is utterly terrifying. Our fascination with those stories, and the people that peretrate them is because we wonder what it takes to make someone into that sort of monster. These tales allow us to also face the idea that the world isn't as safe we as often hope it is in a way that still feels like we are in control.
A couple investigates their old house with paranormal experts, finding the experience more tedious than thrilling, contrary to popular ghost-hunting shows. THE BLUE MOUNTAIN PROJECT portrays a lackluster documentary-style investigation of a haunted schoolhouse with no real scares or plot. The friendship of the main characters is the only redeeming quality. Rating: 1 out of 5.
THE DROWNED combines horror and thriller elements but struggles with a muddled plot and familiar tropes. It starts with a man on the run and unfolds around a crime, leaving viewers questioning key aspects. Despite strong visuals and acting, it feels incomplete and lacks engagement, leading to a disappointing experience. Rating: 2 out of 5.
The article discusses a found footage film titled CRUEL, focused on the Michigan Dogman cryptid. While it explores regional cryptids and the impact of such tales, the film suffers from a short runtime and plot inconsistencies. Despite a solid premise, it ultimately fails to deliver a satisfying narrative, lacking depth and cohesion.
Science fiction encompasses diverse sub-genres, including adaptations like THE DAY OF THE TRIFFIDS, based on John Wyndham's novel. The plot revolves around a meteor shower that blinds humanity and unleashes dangerous carnivorous plants. Despite its bleakness, the film explores survival and hope amidst chaos, deserving recognition despite its obscurity.
The Reddit post discusses the appeal of found footage films, highlighting the thrill of discovering hidden gems in the genre. It reviews "CLASSROOM 6," where a newscaster investigates a mysterious classroom tied to disappearances. While the film offers solid acting and a creepy atmosphere, it suffers from logical inconsistencies and ultimately lacks memorability.
SOMNIUM tells the story of Gemma, a young woman pursuing acting in Los Angeles while working at a mysterious sleep facility that promises to help clients achieve their dreams. The film blends science fiction and horror, featuring strong performances, particularly from Choe Levine. Though intriguing, its conclusion feels overly neat, leaving some unanswered questions.
The Spooky World of Chris Ringler 